art in lockdown | Invert/Extant

Feature: David Blackmore - The Border

The place I am interested in is invisible. Though enormous lengths have been gone to insuring it is visible, palpable, and physically

Feature: Michael Hampton - THE ASSIGNMENT: riffing on/with my own words

Is there a role for writing on art that may appear elliptical, troubling and confusing? David Dibosa At about the same time an invitation...

Feature: Jordan A. Rothacker - An Essay “On Process”: In Light of The Death of the Cyborg Oracle

When I was a young budding literary artist, too insecure to yet call myself an artist, I prepared myself for all the important debates I

Feature: Toward a virtual minimalism - Finding and defining honesty in the virtual gallery space: 2

Note: As part of the exhibition Toward a Virtual Minimalism, Invert/Extant is running a series of essays and reflections on the idea of...

Feature: Toward a virtual minimalism - Finding and defining honesty in the virtual gallery space: 1

Note: As part of the exhibition Toward a Virtual Minimalism, Invert/Extant is running a series of essays and reflections on the idea of...

Feature: Nathan O'Donnell - action: printing

When I uncoupled the bike for the first time in months from the lamppost outside my house I could see the tyres were flat.

Feature: Liam Gillick's The Rak Yoshida - A Novel

By Liam Gillick More Publishers asked me if I would consider producing a new print every day during the first few months of the Corona...

Feature: Jasper Spicero - Unguarded

Unguarded involves a narrative that gives the accompanying sculptures an emotional history. The story is about a neighborhood

Sandra Crisp - Increasing automation and ubiquitous algorithmic process interwoven into 21st Century

Data trackers concealed in code beneath the browsers we search, determining what visual content and website links are presented

United Kingdom